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About Me

When I came across my first encaustic piece, I was lost in the medium and I knew I wanted to experience it's magic.  A lifelong love affair started as soon as I began the creative process of getting to know the wax.


My work is an expression of where I am, mirroring my inner landscape and reminding me to stay present.  I use painting as a tool for letting go, creating a space to play, and honouring my intuition.  ‚ÄčAt times I feel like I have full control of the wax and at other times I follow its flow; learning to accept what is. From my experience, the painting process brings to the forefront what 

I need to be confronted with. 


My purpose for painting is for connection.  It is to touch the hearts of many while adding beauty to the everyday. It is to serve as a reminder to stop and pay attention to the small things that make us happy.  Each of my pieces are created with this intention, encouraging a deeper connection to ones self. 


I work in encaustic and mixed media. My artwork is crafted with materials such as pigmented wax, photos,  ink, and other delicious finds. Each piece can range from 10 to 40 layers of wax.


I am based in Toronto, Canada.



ABOUT Encaustic

Encaustic has a long history, dating back to 100BC.  It is an ancient process developed by the Greeks and literally means "to burn" or to "burn in". Encaustic involves melting beeswax with damar resin (crystalized tree sap) to create the medium then adding pigment to create the paint.  The paint is then brushed on when it is hot and each layer is fused (or re-melted) to adhere the layers together.  

Because the beeswax is sealed to moisture, encaustic paintings will not deteriorate. There should be no fear of the work melting in normal household conditions. The beeswax and resin will not melt unless exposed to temperatures over 160 degrees fahrenheit.

Hanging a painting in front of a window with direct sunlight is not advisable. Some encaustic colours may tend to become cloudy over time. If this occurs, simply rub the surface with a soft cotton cloth or a nylon stocking.  Over time the surface remains its gloss as the wax medium continues to cure and harden up to 3 years.




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